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Celerem habet ingressum amor, regressum tardum [83]
Facsimile Images
164, LEI:
164, LDF:
164, LIF:
165, pictura:
Translations
 |
[Publilius Syrus] Liefde komt snel en gaat traag. |
 |
[Publilius Syrus] Love is quick in coming in, and slow in departing. |
|
[Plutarchus] Als liefde binnen is, gaat hij niet gemakkelijk weer weg, al is hij gevleugeld, en zelfs dan laat hij de ziel
niet geheel vrij, maar een spoor blijft er in achter, als van een verbrand en rokend bos, en hij wordt niet helemaal uit het
innerlijk geworpen. |
|
[Plutarchus] When love is inside he does not easily depart, although he is winged, and he does not leave the soul entirely
free, but in it a trace remains, like of a burnt down or smoking wood, and he is not completely cast out of the inner parts. |
Literature
- Sebastiàn, Lectura crítica
, p. 39
Sources and parallels
- Ayres, Emblemata amatoria, embl. 23
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Parallel for the pictura (mirrored, less detailed) and for the mottoes (some not exactly or partly): Un Cupidon qui sort de chez sa Belle (in: Daniel de la Feuille, Devises et emblemes (1691))
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![[compare]](/static/images/compare2.gif "Compare")
]
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Same pictura, woman with a love letter (instead of needlework), woman waiting in doorway in background, different
motto and Latin subscriptio:Serus in amore exitus. [23] (in: anonymous, Emblemata amatoria (1690))
[Compare]
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A woman doing some needlework in:Post tristia dulcor. [38] (in: Jacob Cats, Sinne- en minnebeelden (1627))
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A woman doing some needlework in:Post tristia dulcor. [37] (in: Jacob Cats, Proteus (1618))
[Compare]
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Source for: Celerem habet ingressum Amor, regressum tardum [47] (in: Otto Vaenius, Emblemata aliquot selectiora amatoria (1618))
[Compare]
References, across this site, to this page:
- Post tristia dulcor. [37] (in: Jacob Cats, Proteus (1618))
- Flamma fumo proxima. [17] (in: Jacob Cats, Sinne- en minnebeelden (1627))
- Post tristia dulcor. [38] (in: Jacob Cats, Sinne- en minnebeelden (1627))
- Serus in amore exitus. [23] (in: anonymous, Emblemata amatoria (1690))
- Un Cupidon qui sort de chez sa Belle (in: Daniel de la Feuille, Devises et emblemes (1691))
- Celerem habet ingressum Amor, regressum tardum [47] (in: Otto Vaenius, Emblemata aliquot selectiora amatoria (1618))
Iconclass
A crippled cupid leaving the house of a girl- tortoises, turtles (+ wings of an animal)
[25F(+342):44G3121(+0)]
- crippled
[31A415]
- taking leave
[33A2]
- lover (woman) alone (e.g. longing for the beloved)
[33C2162]
- front steps
[41A35]
- Swiftness, Speed; 'Agilité', 'Celerité', 'Velocité' (Ripa) (+ emblematical representation of concept)
[51M11(+4):33C218]
- Quality of Motion (+ emblematical representation of concept)
[51MM11(+4):33C239]
- (personifications and symbolic representations of) Love; 'Amore (secondo Seneca)' (Ripa) (+ emblematical representation of
concept)
[56F2(+4)]
- proverbs, sayings, etc. (with TEXT)
[86(CELEREM HABET INGRESSUM AMOR, REGRESSUM TARDUM)]
- specific aspects of Cupid
[92D17]